Film created to be shown as part of Natasha Quinn's "Pareidolia", a creative and immersive art installation exploring our capacity to connect with our visual sense.

 

This is pareidolia examined through the lens of psychology and communicated via "Herman's Eyes", a gothic charcoal-based series of vignettes.

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The film tells a fragmented story about a patient's experience with pareidolic illusions, flipping back and forth from first to third-person rememberings of a skewed reality.

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Created using 600+ hand-drawn frames.